Showing posts with label Tim Burton. Show all posts
Showing posts with label Tim Burton. Show all posts

Wednesday, March 21, 2012

The Best of Depp + Burton

With eight collaborations under their collective belt, Johnny Depp & Tim Burton are one of cinema's most lucrative & stylistically successful actor-director pairings. Depp is an actor who so easily understands & communicates Burton's particular creative sensibilities & Burton is a director who always provides Depp with both opportunity & creative freedom to create a wide array of left-field characters. In honour of their upcoming Dark Shadows, let's look back at their best work together:

1. Edward Scissorhands
An artistic breakthrough for both star & director & the start a beautiful pairing. Burton's distinct visuals tell an effective modern fantasy. Disbelief is gladly suspended in order to share the quiet emotions of Edward's world. Depp makes a leap from bit parts & 21 Jump Street & introduces the eccentric sensibility that would ultimately bring him fame. Underappreciated at the time (nearly everyone but Depp got nominated by the Academy of Science Fiction, Fantasy & Horror), Depp's performance is a master class in silent film acting & iconic in & beyond the goth community. With Bo Welch's incredible sets, Colleen Atwood's iconic costumes & Danny Elfman's soaring, magical score on display, it's amazing that Stan Winston's (admittedly stand out) make-up was the only thing recognised by the Oscars.  

2. Sweeny Todd: The Demon Barber of Fleet Street 
 Seventeen years after Scissorhands, another blade wielding, pale faced outcast yielded the first & - to date - only Oscar nominated performance for a Depp / Burton collaboration. Far darker than any of their previous collaborations, Sweeny Todd is a very tricky proposition: a musical horror, with lines blurred between cringing, laughing & sing-along. It is to Depp's credit that he gets inside Todd's skin & maintains the emotion behind the singing & killing, but it is to Burton's considerable credit that he holds it all together. This time, the exceptional technical team was recognised alongside Depp, but Burton regrettably not.

3. Ed Wood
Another Ed is at the center of the pair's second collaboration, a strange & heartfelt biopic of the infamous & probably unfairly maligned "worst director of all time". Filled with eccentricities & style that celebrate its subject, Ed Wood is one of Burton's more serious (yet also sublimely silly) films. Depp's performance keeps things broad & light & unpredictable - never trying to explain or make fun of the man, but simply enjoying inhabiting his strange skin & world.

4. Charlie & the Chocolate Factory
To reinvent a character already successfully brought to life by Gene Wilder, Depp takes a number of deliberate left turns (in his own words) & churns out a true oddball - an un-apologetically antisocial, creepy perfectionist with daddy issues & a bit of a vindictive streak. His Willy Wonka bears an eery resemblance to the ultimate eternal man-child himself: Michael Jackson & makes up in enticing unpredictability what he lacks in warm charisma. From Burton's side, the Chocolate Factory is hardly a stretch, but it is joyous eye candy of the highest order & still a film with Burton's distinctive fingerprint all over it.


5. Sleepy Hollow
It has a good story, but Burton's Sleepy Hollow is all about the evocative style & rich atmosphere. A gloomy retelling of the tale of headless horseman, with incredible sets & gorgeous cinematography doubling for Washington Irving's prose. Depp's Ichabod Crane is a predictably offbeat take on the classic literary investigator. Never one to take his character too seriously, his Ichabod is a decidedly reluctant hero; an often terrified & cowardly academic more interested in science than people. A stern, serious character played for well judged comic effect in a merrily gothic tale.


6. Corpse Bride
Who better than Depp to voice the shy, sensitive hero of Burton's first animation outing as Director (after producing the hugely influential & extremely Burton-esque The Nightmare Before Christmas for Henry Selick)? The story is slight but sweet, the animation is legendary & the voice actors do uniformly excellent work.   

7. Alice in Wonderland
With Depp beneath the cap, Lewis Carroll's Mad Hatter was understandably promoted to lead character, but while Depp & Burton promised a truly mentally damaged Hatter, they delivered a brightly coloured, giddy cartoon. Depp's hatter is larger than life, entertaining & sweetly damaged, but ultimately more of an idea than an actual creation and, personally, the weakest of the pair's collaborations. Burton's film, meanwhile, is a technical & visual wonder, but quickly digested popcorn fare, story-wise. 

Friday, March 16, 2012

Dark Shadows - Trailer

The trailer for Tim Burton's Dark Shadows has dropped. It seems like quite a loose take on the source material, but apparently there's more horror melodrama than the trailer lets on.


Vampire vs witch in campy 70s, old world meets new(er) world, fish-out-of water finds new family... Dark Shadows may be Burton's first out & out comedy since Mars Attacks (or, arguably, Charlie & the Chocolate Factory). Kind of like War of the Roses meets Back to the Future meets The Witches of Eastwick. 

Burton's always impressive style sometimes overshadows his storytelling, but the good news here is that he seems more interested in his characters than their setting, so we should be in for a good ride. It's also great to see Eva Green in what seems to be a more central, and funny, role. The comic vixen part fits her like a glove.

Sunday, March 11, 2012

Depp & Burton resurrect Dark Shadows (again)


For Tim Burton's 2012 live action outing, he is reviving 60s Horror Soap Opera, Dark Shadows. Vampires, werewolves and witches cross paths with the upper class Collins family in their Maine mansion.. The show ran from 1966 - 1971, with Jonathan Frid as head vampire, Barnabas Collins.





The show was briefly revived in 1991 with Ben Cross as Barnabas Collins & Joseph Gordon-Levitt as David Collins.



Burton's take seems a touch cartoonish (Depp looks like he stepped out of the Dick Tracy movie, as a vampire), but Depp claims it is a return to "vampires who look like vampires", in the Nosferatu / Dracula vein. Depp & Burton have more brilliant collaborations than bland ones, and Dark Shadows combines juicy source material with a killer cast: Johnny Depp, Michelle Pfeiffer (returning to the Burtonverse for the first time since Batman Returns), Chloe Grace Moretz, Eva Green, Johnny Lee Miller, Helena Bonham Carter & Jackie Earle Haley.




And just because the internet can be a strange, strange place - a musical montage tribute to the loves of Barnabas Collins (one of several) after the cut:

Monday, March 5, 2012

Frankenweenie: 1984 vs 2012

1984

VS

2012


Frankenweenie - Trailer


Back in 1984, Tim Burton's live action short, Frankenweenie, about a boy who brings his beloved pet dog back to life, got him fired from Disney for "wasting company resources on a film far too dark for children".

Now, in 2012, and with billions behind his name for Alice in Wonderland, Disney has had Burton back to release Frankenweenie as a full length, black & white claymation feature. Frankenweenie is a full circle moment for Tim Burton and a true vindication for the trail blazer who stuck with his vision from obscurity & disapprovingly shaking heads all the way to creative & commercial success.

Frankenweenie continues many elements from Burton's body of work: the signature style animation developed from Nightmare Before Christmas to Corpse Bride; the loving black-and-white evoking the Vincent Price genre horrors he loves so much, as in Vincent, 1984 Frankenweenie & Ed Wood; the themes - a well-meaning Dr Frankenstein, suburban outsiders - visual style - sunny, symmetrical suburbia meets ornate, dilapidated world of outcasts - and sweetly dark humour borrowed from Edward Scissorhands & the roughly sewn-together characters that showed up in Nightmare Before Christmas, Batman Returns (Michelle Pfeiffer's classic costume, if not her character) & Mars Attacks! (Remember Sarah Jessica Parker & her dog?) makes a comeback in Sparky the dog. The doomed return from the dead is also a theme recurring in Beetlejuice (sort of), Corpse Bride & even Sleepy Hollow.